Patrick Ball and The Medieval Beasts bring Tristan and Iseult to Life

November 11th, 2009

When I was in elementary school, my mother, who was studying for her Master’s Degree, memorized – in Middle English – the first stanzas of the prologue to Chaucer’s Canterbury tales. I remember her practicing these lines in the car while we drove to the grocery. Ever since, I have wanted to time travel, not to escape this time, but to experience the sensual details of others. I want to hear the languages of other eras, listen to their music, taste their foods, travel their landscapes, and compare the pace of the cities and towns of the past to the pace of today.

As I listened to the performance of The Flame of Love: The Legend of Tristan and Iseult by Patrick Ball and the Medieval Beasts I felt as if I was experiencing a magic as close to time travel as is humanly possible. The Frank and Katrina Basile Theater might as well have been a medieval hall, for we were in the presence of a bard with a long, complex, and lavish story to tell. And with him were minstrels whose harps, psaltery, flutes, drums, and singing (in a variety of medieval languages) kept me entranced.

For many years, I have attended concerts of early music performers at the Early Music Festival put on by Indianapolis’s Festival Music Society. And as a member of Storytelling Arts from its beginning, I have attended numerous storytelling performances and festivals as well. As I listened to Patrick Ball and the Medieval Beasts, I felt a simple delight to have the two art forms brought together as they were meant to be. The old story and the music from the days when the story was first told were reunited at last.

I hope that this trio of performers is able to find many opportunities to perform The Flame of Love – and that they continue to work together for years to come so that they can bring to life other epic tales as well. I am glad to know that Shira Kammen and Tim Rayborn of the Medieval Beasts will be returning to Indianapolis next summer for the Early Music Festival to perform with the group Canconier on Fri, Jul 23. I am especially grateful to Storytelling Arts for bringing Patrick Ball and the Medieval Beasts’ performance of Tristan and Iseult to Indianapolis. The performance brought together story and music and united them as sweetly as two lovers, who for one afternoon, shared a timeless embrace.

Written by Liza Hyatt

lizah2@lizahyatt.com

www.lizahyatt.com

Storytelling at Riley Children’s Hospital

October 27th, 2009

In an earlier time of my life, when I was teaching Kindergarten, one of my favorite times in the classroom was storytime. It was a rare Kindergartener who could resist the draw of a well-chosen picture book, but still, there were those who could be distracted. However, when I knew and liked a story well enough to tell it, no book involved, eye-to-eye, no interruptions for page turns, no teaching prompts, the kids were had. Their eyes were wide, bodies still (well, as much as a K. kids can be), and they were lost in the telling. It was then that I started to feel the draw to become a storyteller.

The month that I retired, I talked with Ellen and learned about the opportunity to take some free storytelling classes in preparation for telling stories to children at Riley Hospital. What a gift that has been to me. A chance to share stories that I love with sick kids who I hope will be caught up in them as well. And a real bonus in telling with another storyteller, learning and appreciating new styles and fresh stories, and sharing sources and just tidbits of our lives. We select one Wed evening a month, come and pick up our list of kids, and visit their rooms to give our invitations. “Hi! Is this _(name)_? We’re storytellers and we’d love to share a story with you.”

All this has been a delight, but the experience of storytelling in a hospital room has been a revelation to me. I expected sick children, and they are, and some turn-downs, and there are plenty of those, too. But I have discovered a few important things: that a story can be appreciated even when there is little physical response, that a child who feels too poorly to respond may still remember the story and retell it to family and enjoy it when s/he is feeling better, that the brothers and sisters and parents and Grandpas and Grandmas may need that story and that distraction as much as the child who is the patient, that we can all get through a story despite nurses checking vital signs and aides bringing in food and visitors popping in. (We’re done for, however, if the Magic Castle shows up. There’s no competing with that magic – and we’re happy for that!)

What do we “get” from our storytelling at Riley? Well, we get to share a good story and enjoy the telling of it. We get to bring some smiles, some heartfelt thank you’ s from family. We have a wonderful circle of storytelling friends. We have the hope always that we have eased for a few minutes a painful time for a child. And occasionally we have the heady thrill of hearing “Can you tell me another one”.

Storyteller Sue Lynch
sosterhaus4433@sbcglobal.net

The Mecca to Jonesborough

October 7th, 2009

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Ellen Munds receiving her Service Award.

Written by Lou Ann Homan-Saylor

The month of October opens with the harvest moon, the first scarlet branches in the maples, and apples heavy in the orchard. It is also the annual pilgrimage to Jonesborough, Tennessee for the National Storytelling Festival, and I must go.

On Wednesday evening Jim May makes the journey from Chicago and I from Angola to Indianapolis. Ellen and her family graciously open up their homes to traveling storytellers and we are no exception. Conversation and tea cups empty before eleven bells and we each retreat to our rooms, but sleep does not come easy before this adventure.

With the breaking of dawn, the morning shadows fall upon our suitcases, laptops, books, and bags of fresh apples. The trick is to get all of our luggage as well as ourselves in Jim’s Prius. I take the backseat corner and surround myself with the leftover packing material…bottled water, Jim’s pillow and Ellen’s knapsack.

I have made this trip many times, and on this one I prefer the backseat driving role as I keep my ear tuned in on front seat conversation as we munch apples and almonds. It is interesting traveling with folks whose lives are entwined with storytelling and whose friendships we share from across the globe. We drop names of other storytellers as if they are our neighbors. We are curious about their lives, both professional and personal, and we each seem to know different stories.

The weather is sunny and cool as we travel south. I am excited to see the first smooth roundness of the mountains rise before us. I am hoping to see deeper shades of gold and tangerine in the elevation above us, but green dominates the landscape. We stop for lunch at Colonial Sanders for pinto beans and grilled chicken.

By late afternoon we pull into Jonesborough where the welcome mat has been set out for thousands of folks, who, like us are making this journey. We drop Jim off at the Burkett’s who live in the ancient red brick house upon the hill overlooking one of the town’s cemeteries.

Ellen and I stay a few miles out of town and register at our hotel. We stay only long enough to change clothes, pack a bag of warmer clothes and head back into the town. We park the car up on the hill by the cemetery as well and walk into town. Everything is decked out with the grandeur of autumn…pumpkins, scarecrows, shocks of corn, and swaying shingles announcing wares and food.

We do not stop on this evening as Ellen is receiving the coveted Service award for her work with NSN. The award is long overdue as her work began back when we were NAPPS! She is glowing and elegant in her dress of purple linen and dark leggings as she is introduced to take the stage. She immediately receives a standing ovation from her colleagues who do not let up on their applause which comes deep within their hearts.

I know she is glad to be the first recipient of the evening’s awards as she can enjoy the rest. When the evening’s festivities die down, much as the embers of a campfire, our dark figures dart through the town to rooms that take us to a well deserved rest. Ellen and I realize that we forgot about supper, but there is too much to talk about to care much.

Purple mountain shadows give rise to daylight as we pull back the morning curtains. We pack our knapsacks and my new carpetbag, a gift from my mom as we will not be returning until the wee hours of the morning.

We register, get our swatches, and circle our program with the storytellers we want to see. We re-circle again and know that we will change our minds a dozen times before the week end is over. There are four large tents set up with storytelling beginning at 10:00. The crowds are large and the thousand seats in each tent are full. There are usually a few seats in the middle of each row which means climbing over person after person after person…

We meet friends and storytellers for dinner at the Main Street Café for the evening’s buffet of a home cooked dinner complete with southern pecan pie. We eat and then continue our journey for the olio and then to the midnight cabaret.

I take a lonely stroll through the town before the cabaret marveling at the beauty. It is the oldest town in Tennessee and on this evening it is draped in the shadows of the full moon. The church steeples point directly towards the big dipper and Jupiter. I find a late night café with fresh hot tea and again take my seat for the show. There are no tickets left as we anxiously await the performance by storyteller, song-writer and musician John McCutcheon. He has grown a beard since the last time we saw him and the look is good on him. We sing. We laugh. We cry. The ninety minutes fly by on this flawless performance. We stand and cheer, and he honors us with an encore performance.

It is with bleary eyes that we head back to the hotel to sleep.

The next two days blend into one another as time passes over the tents and waves the wand of contentment.

We sit in on an intimate chat with Kathryn Windham as she talks about her life in Selma, Alabama. The Reverend Jones takes us to Detroit for his blues music and introduces us to his wife, Sister Bernice. Sheila Kay Adams weaves her music and stories from the mountains. The three Bills of Bill Harley, Bill Lepp and Willie Clafflin give us the deep inside-our-belly laughter that makes us ache all over.

I cannot listen hard enough or long enough. I do not take notes. I do not skip a session. I let it all seep into my heart and soul.

The last curtain falls, metaphorically speaking; I pick up my carpet bag and make my way out of the tent. The folks begin leaving immediately as I stand motionless soaking up the sunshine of the late afternoon. I am filled up with story, yet I can’t pull away.

We head over to the hotel to toss our clothes into bags and get the packing started. We time ourselves for thirty minutes and head back into Jonesborough for the wrap up party at the Burkett’s house on the hill. All the lights are on in this old brick home. There are folks in every room talking about every subject. Huge pots of soup simmer on the stove. I meander from room to room and finally find myself out on the back porch with a group of storyteller/musicians playing tune after tune. We sing and laugh to the accompanying voices of the tree frogs.

Cool rain falls softly as the guitar cases close and the good byes are shared around the house and then back again. I find good strong coffee in a corner of the kitchen and fortify myself for the leaving. It is never easy to say good bye to these folks, and with another festival woven into our souls, we leave.

Morning arrives and the three of us head north. We are in need of showers, our own beds, and time alone, but we are richer in so many ways by this experience…in so many ways.

How Storytelling Arts of Indiana got its start

August 3rd, 2009

In the 80s, I heard my first professional storyteller tell stories to a roomful of adults. His name was George Shannon, a former children’s librarian who had also published several children’s picture books. I remember the experience so clearly. It was like Shannon looked out into the audience, saw my face and selected a story that I needed to hear. The story, Lanterns: A Chinese Tale of Almost Everything, touched my soul and I was hooked.

It wasn’t too many months later that Bob Sander, Nancy Barton and I traveled to Louisville to attend The Corn Island Storytelling Festival. For three days, we listened to stories and we still wanted more. We joined the national storytelling organization at the time (now known as the National Storytelling Network) to find more storytelling events in the region. Six months later we drove to St. Louis for another few days of stories. It was during this festival that we began telling people that we were going to start a festival in Indianapolis.

Lucky for us, the national organization was hosting a five-day institute on planning a festival. Bob and I flew to Jonesborough, Tenn., and met Jim May, Jimmy Neil Smith and many others. From our five days of notes and many hours of planning, we produced the First Annual Hoosier Storytelling Festival on August 13, 1988, on the grounds of Conner Prairie.

The festival began with more than 100 individuals wanting to attend a workshop presented by Carol Birch. It was a great way to begin the day, but the classroom only held 50. People were willing to sit on the floor just so they could hear what she had to say!

Many friends, family members and acquaintances helped us organize that first event. During the planning, we soon realized that the possibilities for storytelling were endless, so we founded Stories, Inc. (now known as Storytelling Arts of Indiana).  We are now one of only a few storytelling organizations in the nation that offers a full season of performances, not just a festival. Over the last 20 years, we have brought more than 80 storytellers from around the world to reach Hoosier audiences. We have developed programs to improve the lives of those we touch, such as the bedside stories at Riley Hospital for Children, our As I Recall Storytelling Guild, and performances in Indianapolis inner city parks.

It never occurred to me that I would choose to leave a career that I loved to work full-time for Storytelling Arts of Indiana, but in the fall of 1992, I resigned from the Carmel Clay Public Library and took the plunge. Since that time, I have traveled to connect with the storytelling communities in China, Ireland and Scotland. I’ve met such interesting, fun and talented people, and it brings me so much joy to share my love of storytelling with you.