Leaving a Legacy

June 29th, 2011

Beth Millett
Past president of Storytelling Arts of Indiana
Current member of Storytelling Arts of Indiana Endowment Board
beth.millett@borshoff.biz

After the birth of my son in February, I updated all the beneficiary information on my will, retirement accounts and life insurance. Obviously, Evan is my greatest legacy, but completing the paperwork gave me an opportunity to stop and think about the kind of mark I’d like to leave in my community.
   
I have been a volunteer and sponsor for Storytelling Arts of Indiana performances for many years, and even if I am not here to write the check myself, I’d like to ensure that my favorite performance art continues to live on and touch the lives of others.

I have designated a percentage of my retirement fund to the Storytelling Arts of Indiana Endowment Fund. It’s only a small percentage, but I know that every little bit will help. The money is carefully managed by the Central Indiana Community Foundation and distributions are approved by the Endowment Board. These funds help offset costs of programming, special events or outreach to underserved audiences.

I haven’t designated a specific purpose for my donation, but I’d like to think that my investment growth will be big enough that I could endow the Storyteller’s Theatre series. I love wide range of topics, experiences and backgrounds that we get to experience each season. What would you want your gift to fund?

I hope that you’ll take the time to consider your estate planning and designate a gift – whether it’s a percentage of your estate, or a set amount – for the Endowment Fund. Join me in the “Epilogue” donor group, helping ensure that storytelling has a long and healthy future in Indiana. Contact Ellen Munds, executive director at Ellen@storytellingarts.org, to make a pledge or if you have questions.

House Renovation and Love

April 4th, 2011

Beth all geared up for renovating

Beth Horner
Storyteller
bethhorner@earthlink.net

Over the past few weeks, two trains of thought have been readily present and whirling around in my brain: house renovation and love. I am in the midst of renovating a 1939 old style brick row house (see photos!) AND looking forward to being in Indianapolis to present my favorite program Love Lost, Found and Fumbled. It occurs to me that house renovation and love are very much alike.

First comes the initial twinkle, spark and magnetic attraction to the object of love. After endless dates with realtors, on a fateful day, one walks into a house and just knows that it is THE ONE. One twirls from room to room crying out, “Oh, look at the light streaming in through this bay window! Oh, this circular staircase is divine! Oh, don’t you just LOVE this decorative doorknob!” Before you know it, downright lust and obsession have taken over. “I can see spending the rest of my life in the warm embraces of this house. I MUST have this house. I cannot live without this house!”

And so, from the heights of cloud nine where one does not concentrate on silly realities such as the asbestos and mold that have to be removed, (Oh, I’ll just fix those things later.), one gleefully signs paper after paper after paper after paper after paper after paper after . . . and at last is in full possession of the object of love.

Then, the honeymoon ends. One begins to notice cracks in the foundation, water leaking in around the bay window, an uneven floor, paint peeling behind the door with the decorative doorknob. After falling down the circular staircase one day, one realizes that there is going to be some work involved. Consultants are consulted. Budgets are budgeted. There are long meetings, heart to heart talks, compromises, pleading, tears, exhaustive work. Days are spent scraping old paint off ceilings, painstakingly removing layers of ancient vinyl, patiently pulling up over 1,000 carpet tacks, staples and nails. One often sags in frustration, weeping, “Why did I get myself into this mess? How did I think this was going to work? What was I thinking?” The sparkle of lust is a dim memory.

As one struggles on though, surprises and little joys creep in. Slinging the sledgehammer to knock down the wall between the kitchen and dining room is not only good therapy, it opens up the house in a completely unexpected way. Beautiful hardwood floors are revealed beneath the old carpet. An old letter is discovered in the attic uncovering part of the house’s history.

Super Woman

As time goes on, one realizes that some things are fixable and some are not. However, because of all the work, one grows to appreciate (or at least tolerate) all aspects of the house and falls in love with it all over again – in a much deeper way. Lust is grand, but true love is life sustaining.

Most of these thoughts are based on my own experiences in house renovation. I have yet to get to the life sustaining part. However, through the work I’m doing, I am coming to love my house in a whole different way. Of course, my contractor has become a part of my life. One day, when we were both extremely frustrated with the plasterer who had clearly NOT listened to my instructions, my contractor ran out to the cab of his own truck and returned with a copy of one of my CD’s featuring a cover photo of me holding an ax. He held the CD to the plasterer’s face and yelled, “You see this! You see Beth wielding this ax! This is NOT a photo-shopped photo! Don’t mess with Beth!” I was unaware that my contractor even possessed one of my CD’s or had heard any of my stories, but the action was effective.

As I look forward to telling stories of Love Lost, Found and Fumbled , I also think of my parents. I called them the other day and my 90-year old father said, “I just brought your mother breakfast in bed, but she’s mad at me.” “Why?” I asked. “Well, she feels that our honeymoon was second rate. Says it could have been in a zippier hotel.” “Wow,” I said, “67 years is a long time to hold on to something like that.” Then, I heard my 89-year old mother laughing in the background . . . and my father began to laugh as well . . . and I began to laugh. Laughter is essential when fumbling through long-lasting love.

Speaking of laughter, I am excited about one of my new additions to Love Lost, Found and Fumbled. It is a tale of adventure that addresses that burning question “Are carob chips just as romantic as whipped cream?” Find out this Saturday. Hope to see you there!

Dancing

Jabberwocky: Real Insights from Real Stories

March 28th, 2011

Rose Soliven
Intern
story@storytellingarts.org

Ever since I started interning with Storytelling Arts last October, I have attended various storytelling events, but only for the last two months did I go to Jabberwocky, and what an experience I had missed out before.

The theme for February was “Enduring Love Stories,” which instantly piqued my interest. I am such a lover of romance, and I couldn’t help but also feel that giddy optimism when I heard the couples share how they met and grow in love with their soul mates. You see and hear love everywhere – in movies, on TV shows, on the radio, in those teenagers holding hands as they walk down the street – but it’s quite a different experience to listen to a love story from the lips of the lovers themselves. It’s an experience that’s rich and personal. Their faces just sparkle as they recount the twists and turns they went through before getting to the place they are now. Their love story is one that does not conveniently fit into a 3-minute song or a 2-hour movie; it is a real, unique one that still goes on.

In celebration of International Women’s Day, the March Jabberwocky flaunted “International Flair” as women shared their global journeys to Indiana. Each woman’s story was different – each had its fair share of challenges and hardships, and yet, there were still moments of accomplishment and contentment. Their stories showed me that patience, courage, perseverance and openness to growth and new opportunities will carry you through times of change.

This Jabberwocky made me think of my mom’s immigration story. I know the basic facts: After my parents were married in the Philippines, they came to live in Indianapolis because much of my dad’s family was already settled here. But what I don’t know was how my mom felt flying across the globe pregnant with me. What was her first impression of America? How did she cope with living in a foreign world, where she had to adapt to a new job, a different language, new customs and even snow? Plus, it amazes me to think she was only two years older than I am now when she first came here.

One advantage of being a young adult who attends storytelling events is that I can benefit from the wisdom from other people’s stories and that I should constantly seek out stories, especially those from the people who are close to me. I have learned that life does not have a straightforward, predictable path. No matter how much you hope and plan, life is full of surprises, and that is the beauty of it. You never know who you are going to meet or impact or where you are going to be until you live that moment.

What I love about Jabberwocky is that these stories are real. They are about real people in my community. They are filled with real events, emotions and insights. This furthers illustrates that all people – the person in the car next to you, the cashier who rings up your groceries, your parents and even you – have a story worth sharing. Will you join me at the next Jabberwocky, Tuesday, April 12th beginning at 5:30 p.m. at the IndyFringe Theatre, 719 E St. Clair St in Indianapolis?

The Start of a New Story about My Father

February 21st, 2011

Storyteller Antonio Sacre
asacre@earthlink.net
www.antoniosacre.com

My dad used to have a state-of-the-art alarm clock, and I feel old describing it to you. It would play music AND wake you up, and it had an incredible feature called the sleep button. You could hit it, music would play, and 29 minutes later, it would actually turn off! It was amazing! The problem was, you had to wait the whole 29 minutes to see it work its magic, but that wasn’t too bad, because you could watch the numbers change on the clock, and I mean actually change. Each minute of the hour and every hour itself was its own little plastic tab that actually flipped down or folded over the other number, an interior dial of time perpetually flipping forward, clicking, keeping perfect rhythm, lit by a little light, just bright enough to see the numbers themselves change.

For some reason, in my young mind, it was endlessly fascinating to watch the numbers flip, time flipping forward, and wait for the sleep button to magically shut off the music.

I loved sitting in my parent’s room, listening to the music that played on the only station my dad listened to before bed, WJBR, Just Beautiful Radio. In those days, it played only classical music, 24 hours a day. My dad would hit the magic sleep button, the music would start, and I would watch the little plastic tabs click off the time until it was time for bed, but hopefully not before the sleep timer did its thing. My dad every now and then would stand, transfixed in front of the radio. I always thought he was looking at the numbers as well, but he would close his eyes, sway very slightly and say, “Mi’jo, can you hear that?” Mi’jo means my son. I would strain toward the radio. “What?” I would ask.

“That, right there, and there again? There, right on top of the piano, the violin?” I couldn’t hear anything. “And now, the clarinets, and the drums rolling in the back, like thunder over the hills? It reminds me of Cuba, can you hear that?”

(If you like the feel and the sound of this story, attend Antonio’s performance in Indianapolis on March 12 at the Eugene and Marilyn Glick Indiana History Center.)

I Have a Confession

January 6th, 2011

David Allen Dellinger
daviddellinger@yahoo.com

I have a confession. In 2005 I was introduced to what, honestly, seemed like the best-kept secret in town – The Storytelling Arts of Indiana.

Fresh out of college, having studied both Communication and the Performing Arts, my discovery of the Storytelling Arts of Indiana opened up a completely new genre for me to explore. What was most profound, for me, was witnessing how the art of storytelling allows the teller to embrace all the gifts and talents he or she has developed over the years. As a result, I have witnessed storytellers utilizing a variety of musical instruments, mime, dance, theatre, and even audience participation to bring a story to life. From the outset I was blown away. I had no idea that storytelling at this level actually existed.

Over the years, my involvement with this incredible organization has actually allowed me to explore and develop my own storytelling talents. For example, on the third Wednesday of every month, at the Indianapolis Glendale Library, amateur and seasoned storytellers alike are encouraged to develop their skills at the As I Recall Storytelling Guild – which I have been a regular attendee for the past three years. Furthermore, this past October I participated in the first annual ghost story contest and am currently working on next year’s selection.

What my time spent with storytelling has taught me, more than anything, is that not enough people know about it. That is why I have made it my personal mission to educate as many people about the Storytelling Arts of Indiana as possible. I honestly believe that once people realize what an amazing performance experience storytelling actually is more will want to get involved.

I want to encourage all of us within the storytelling community to help bridge this education gap. If you’ve ever attended a storytelling event please talk to your friends, neighbors and colleagues about what storytelling actually is. Invite them to attend an event with you. Join our Facebook page. Post comments on Facebook. Follow us on Twitter and re-tweet our tweets. Do you realize that most people think storytelling involves a librarian sitting in a wing back chair telling stories to children? It is most unfortunate that more people don’t understand that storytelling is a viable performing arts experience for adults. Help us bridge this education gap. Respond to this blog and share one of your favorite storytelling moments as a listener.

My First Event with Storytelling Arts of Indiana

November 10th, 2010

By Rose Soliven
SAI Intern
story@storytellingarts.org

As a recent college grad, I have sat in many class lectures where I listened. My short-term objective was to listen so I could comprehend the material for the next quiz or exam. For some classes, this was definitely a challenge, like human biology. However, I enjoyed school because of my long-term objective: to listen for the bits of wisdom I could apply to my future career or life in general.

Last week, I attended my first As I Recall Storytelling Guild event at the Indianapolis Senior Center, and I experienced how powerful and gratifying a skill listening is. Listening can serve as the portal to limitless learning. When I listened to each of the storytellers, I felt like I was listening with more than just my ears. I absorbed the flow of the words, sounds, pauses, emotions, facial expressions and gestures and how these and much more comprise the storyteller’s tale. Storytelling is an extraordinary experience, one that is both engaging and entertaining. Both the teller and the audience member are in the moment, when each passing second reveals a tidbit of a past experience.

When you first meet someone, usually you start off with these kinds of questions: What’s your name? Where are you from? What do you do? However, through storytelling, the audience gets to know the storyteller in a way that does not usually come across in a typical conversation. In a single story, the storyteller shares a part of his or her personality, insights, experiences and past with the audience.

Just as every person is different, every story is different. A story can be short or long, humorous or heartbreaking, or a detailed description of one event or a collection of several moments that illustrate a bigger picture. However, what I appreciate most about storytelling is how they keep memories, people, and experiences alive.

I can’t wait to listen to more stories.

Risky Business

September 2nd, 2010

Written by Bob Sander
sandertales@aol.com

I’m thinking back on the gifted storytellers I have had the honor of hearing over these many years of performances sponsored by Storytelling Arts of Indiana. The number is substantial. Would I be as attuned to the significance of Story in my life without these men and women who have shared and inspired and guided me (and countless others) with their artistry? I doubt it. Yes, Story is woven into all of our lives on a daily basis — but so is traffic, so is weather, so is news, so are a hundred other things we all swim in but somehow develop near blindness to. These storytellers sensitized me to the presence and the value of Story.

When Ellen and Nancy and I started this storytelling Odyssey, both my mother and father were around to see its birth. Both kids of the Depression era, they were suspicious of the efficacy of such an endeavor. To them it looked to be a risky business. If the Depression years taught them anything it was this: Don’t take unnecessary risks. Security of any sort is much preferable to a fling with the arts.

The flirtation with the arts is now over twenty years old (as is my own work as a performer / storyteller). Alas, both my parents are now gone. The best of them that I get to keep with me is now … their stories.

Jacob Marley’s chains, forged of the ungenerous acts he committed over a life-time, both shackled and trailed behind him even in death. But one needn’t be a Dickens character to know that not just egregious deeds stick to one like fly paper. Deeds of all stripes trail behind us in life. As do our possessions.

When my father died last September it triggered a need for me to settle his estate. If there is a more bitter-sweet obligation I cannot think of it. We winnowed out many of his (and my mother’s) possessions earlier, upon her passing, and again when he moved into an elder care facility, but rooms filled with the items of their life together at the (now vacant) house still remain.

Walking through that house and sifting through those keep-sakes is like reading a book of short stories in which I am sometimes a major character, but just as often not. The “stories” – recorded in objects and photos — flit forwards and backwards through time, willy-nilly. One moment my dad is a winsome lad in a U.S. Army uniform, bound away for Africa in 1942; the next moment he is six years old with ears that stick out like ping-pong paddles, posed in front of his house on Orange Street in the old south-side Indianapolis German neighborhood of 1923. Suddenly a picture looms of both mom and dad, and they are surely newly married, a flush of potential and possibility wreathed about them, radiating in their mutual smiles as they stand together in front of a fishing cabin in Michigan, the fish they’ve caught on their getaway vacation held proudly on a stringer before them.

I finger an ancient and handsome silk scarf I remember my father wearing (and which I wore as a small child, trying to mimic him), and see it has gone to pieces, eaten by hungry moths with no regard for keepsakes. Here is the porcelain bull I gave my dad as a birthday present when I was maybe five. It has a hollowed, open side in which he kept his billfold and loose change for the next 53 years – and which I now use for the same purpose. There are the German beer steins, highly decorated, which belonged to his father before him. Next to them a stack of Afghans my mother crocheted, hand-blown art glass from Elwood Indiana, fishing poles, tools, letters …

Stories of every hue and shade and emotion cling to these various objects like the skin of a grape – tightly fit and virtually inseparable from the items themselves. Without their stories the objects pale to insignificance, become mere ciphers. The stories provide the context which confers the meaning and emotion. Some objects are mute, their stories lost to me. But for most part I can look and feel and know the connections that make them sing.

That I am not just moved emotionally by the artifacts of my parents lives – nothing uncommon in itself – but highly attuned to the patina of Story that ennobles them … is for me a great good for which I am deeply thankful. That my children have been raised in and about this storytelling endeavor and seem to carry this sensitivity with them as well is also a comfort right now.

In this regard let me also opine this: Here in central Indiana there are hundreds, even thousands of other folks, who have become attuned in like manner to the richness and possibility of Story in their lives. Such has been the harvest of dancing with the arts in the risky business of storytelling. Do you feel the same way? If so how?

Storytelling in Everyday Life

August 10th, 2010

Andrew Hamaker
Andrew.Hamaker@gmail.com

When I first joined the board of Storytelling Arts of Indiana in 2000, I had no idea exactly what I was getting into. But since that time I have served as treasurer and president, and I’ve learned the following:

• Storytelling is everywhere. Everyday people tell stories.
• Storytelling is the one of the very first art forms of our ancestors.
• In times of stress and discomfort, people feel better when telling stories.
• Storytelling can be part of a person’s immortality.

My father was a very busy physician, often getting home at night around 10:00 p.m. On those special occasions when he would return home before I went to bed, my siblings and I would always convince him to tell us a bed time story. He would tell us a story about himself and his life experiences such as growing up, going to medical school, and meeting our mother. As children, it was the stories about his life that we cherished most. We learned about our particular past as well as life lessons that I still use today. These stories have been passed down from generation to generation and give us the ability to remember who we are and where we came from.

I have used storytelling as well to help people in time of need. For instance, last year, I met a young man named Jimmy. That evening, he received a telephone call that one of his best friends had been killed in a tragic automobile accident. Jimmy was overwhelmed with sadness. I started asking him to tell me stories about his friend. As he was telling me the funniest stories he had, I could see in his face that he was happier. He began remembering all the good times he had with his friend and realized that those times will always be a part of him and his memories. His friend will live on through all the stories that Jimmy and those who knew him will tell.

In the last decade, I have been a significant supporter of Storytelling Arts of Indiana’s programs for two main reasons:

• Storytelling is a basic need that everyone has.
• The organization is small enough that any contribution you make will go a long way.

So keep telling all the stories you know, support Storytelling Arts of Indiana and, remember, the story always continues. Now, tell me how have you used storytelling in your everyday life?

Adventures Usually Have a Starting Point

June 14th, 2010

Storyteller Lou Ann Homan
locketoftime@aol.com
www.louannhoman.com

Adventures usually have a starting point, mine did. I was in the middle of my Theatre of the Air program at school with parents, and microphones and a buzz in the air when my principal popped in. Kimberly is a friend as well as my boss so she is always stopping in to see what is going on in my room. This time she stood at the door and beckoned me. Yes, beckoned me. She simply said, “Do you want to go to China with me?” I quickly nodded yes and then got right back to work.

Later that night I called her to ask if I had been in a daze or were we going to China. Indeed we were going with a group call Global Indiana. The trip was in March and we had much preparation to do. We were visiting a performing arts school in the southeast corner of China, and because of the work that I do, I would be telling stories and teaching American square and folk dance.

We attended meetings, I made photo albums, learned new dances and stories, gathered indigenous products such as local maple syrup, popcorn, flower seeds. Well, the list went on and on.

The week before the trip, I noticed a nagging back ache. A quick trip to the Dr. and a pocket full of muscle relaxers and I was good to go, or so I thought. The flight over was very painful and on the first day of touring I fell and finished off the disc in Beijing. The story goes on for pages at this point, the hospital, trying to get home, how I did get home, surgery and recovery.

The disappointment was huge for me. I never got to the school and had to send my gifts with Kimberly. I was able to tell stories via cell phone as they amplified my voice to the students. Of course, I could not see their faces, I had to wait for the translator, and I choked tears back the entire time.

My spring schedule was dismal. No school. No storytelling. No travel. No gardening, sweeping, bending, cooking…

Fortunately I have an optimistic spirit that rose rather quickly. I could walk, I was no longer in a wheel chair, and I had friends and family that took care of my needs night and day. I was encouraged to walk as much and as far as I would like.

As a columnist for four county newspapers in Northern Indiana I wondered how I would continue to keep my writing fresh, creative and interesting from the confines of my house and the few blocks within my recovery area. Well, the library is only three blocks away, the courthouse a few more, the local coffee shop on the way, yes, I could make this work.

I got a hold of a friend of mine, Peg Dilbone, who is our county historian as well as a great friend. She always helps me with research when I am writing community shows, and other projects. I really needed her now. I spoke with my editor and shared my thoughts with him. Lucky for me, he is a fan of my writing and thought my readers would love the change. I would research my town and share local history for the next two months, and that is what I did.

In Angola, Indiana, my town, we are currently under a revitalization plan. New brick streets, more landscaping and street lamps to bring back the old town. On the first Monday of my new writing project, the men working on the job unearthed railroad ties from the center of town. I took hold of that one gem of knowledge and my research began.

In the early days I had to walk with an old sassafras cane, not wanting a metal walker. I used that cane to walk to our Carnegie Library, our courthouse and everywhere else I needed to go. I was really working on two problems at the same time…growing stronger and learning more and more history.

I found out as much information and possible on the old railroads, which ended up as a two-part story. I researched our founding fathers Thomas Gale and William Gilmore who came to northern Indiana when all was described as a ‘thicket’ to start their Spiritualism colony. These two men eventually gave the money and the land for the square and the courthouse making Angola the county seat. I knew all the city street names already, but did not know they were named for these men and their wives.

I researched the school, the courthouse, the first general store, the old Buck Lake Ranch, my street, the McClue reserve (using his diary), the stagecoach line, and the Underground Railroad. I learned of nicknames for streets and alleys such as Pig Tail Alley in Orland. I learned and visited of the grave of a small child buried on the wagon trail one day when the towering oaks whispered stories that no one knows anymore.

One day I had a call from the caretaker of Circle Hill Cemetery. She invited out to the Gale Mausoleum one cool day in May. With my sassafras cane, I meandered down the grassy hill and into the quiet depths of history. She showed me maps and blueprints from the 1800’s and sent me home with duplicate copies and stirring thoughts in my head.

My phone lines and Internet lines have been full of folks wanting to add to my stories or wanting more information. Town’s people, who have loved the stories, stop me on the street. I have charts and maps and field notes strung across the archives of my small library.

From a ruptured disc in China to finding out who we are and how did we get here has enamored my community and me as well. It has brought us together along with the major transformation of the downtown. This research is leading to performance pieces and I see a children’s book about the Pig Tail Alley and the Underground Railroad.

In the end, it is all about story; it is just all about story.

Funding Opportunities Available for Sharing Hoosier History Through Stories

May 6th, 2010

The Indiana Historical Society and Storytelling Arts of Indiana will help bring storyteller Sue Grizzell to two more communities in 2010 with the Sharing Hoosier History Through Stories project. Since 1999, this collaboration has commissioned an Indiana storyteller to research, develop, and perform a historical Indiana story related to holdings found in the IHS library collection.

The IHS and Storytelling Arts of Indiana recognize that the medium of storytelling engages Hoosiers in a way that textbooks and many history classes cannot. To reach as wide an audience as possible with the latest Sharing Hoosier History Through Stories creations, the IHS and Storytelling Arts make funds available each year for up to four (non-profit) institutions to off-set the costs of inviting a storyteller into their community as well as assist in the marketing of these programs. The IHS and Storytelling Arts pay half the presenter fee ($250), while the hosting institution pays the other half plus mileage expenses.

Limited funding opportunities are still available for the story “Root Doctors, Midwives, and Fried-Mouse Pie: Medicine in Early Indiana” by Sue Grizzell. It tells the fascinating story of early Hoosier medicine. Whenever ill or injured, the inhabitants of the Old Northwest Territory and early Indiana were subjected to all manner of medical treatments. Ranging from the common-sensical to the bizarre, these treatments sometimes worked but could often be fatal.

Early Hoosiers only occasionally had access to doctors. They mostly lived in isolation, faced economic uncertainty and practiced self-sufficiency as much as possible. Families learned what they could from the doctors they encountered, but, using folk remedies, ended up doing much of their own doctoring. Modern science has proven some folk remedies effective, but Hoosiers had to be tough to survive many of these so-called cures. Using materials from the IHS Collection and beyond, storyteller Sue Grizzell will share the stories of these early Hoosiers and their efforts at curing their families’ ailments.

Sue Grizzell has told stories most of her life. She is a past recipient of the Frank Basile Emerging Stories Fellowship (2001), has collaborated with the Indianapolis Chamber Orchestra, and her 2002 story “Porch Swings and Prairie Wings” is also part of the Sharing Hoosier History Through Stories series. In previous incarnations she has been an actress, a carpenter and 2009 Coordinator of the IndyFringe Festival’s FringeNEXT.

Sharing Hoosier History Through Stories is co-sponsored by the Indiana Historical Society and Storytelling Arts of Indiana, Inc. For more information on this program or how to bring this story to your community in 2007, contact Erin Kelley (Indiana Historical Society) at (317) 234-3161 or ekelley@indianahistory.org or Ellen Munds (Storytelling Arts of Indiana) at (317) 576-9848 or ellen@storytellingarts.org.